We needed to change how we’d done things in the past; I needed to rediscover my own resources and tap back into the capability and determination it took to get this business off the ground, all on our own, just two years ago.
What this situation is teaching me personally, is the fragility of normality as we knew it.
Because of this, today - and everyday coming out of this, I want to indulge in what makes my brain tingle and feel alive.
I’ve been taking the time, because I now have it, to do work that is more step by step vs. immediately gratifying. To work through the process and reacquaint myself with parts of this business we started to outsource - with the added challenge of supplies being limited to only what we had on hand.
Evolving newness out of old and allowing creativity that I’d talked myself out - or that we paid someone else to do as I worried about the next thing, has found me tapping back into a part of myself I’ve quietened.
This has manifested in a couple of different ways; getting my hands all inky and dyeing shirts we have in stock from a collaboration with Amber Vittoria, has been fulfilling and exciting - each its own one off. A way to make something timeless feel fresh, new and of the moment.
Each shirt a multi-part, hands-on process that can’t be short cut. That you have to stick with and work through and the result is a surprise each time. A metaphor for the situation we’re all in now.
I’ve also created a new clog pattern named Iris, after my nan who passed away late last year, that can be made at home, 100% by hand without die cutting. Leveraging hides and offcuts of leather + soles we have in inventory, this style is a new way to not only continue to avoid waste but to deliver product immediately, safely and be 100% in touch with the whole of our business again.
If this ongoing situation is teaching me anything, it is that I don’t want to return to normal, I want something better. More intentional.